Dhruva miss story to focus on Action.
Introduction:
‘Martin,’ the most awaited Kannada movie of the year, has been released after 3 long years of being in production. Diwali has come and the film industry can breathe a sigh of relief especially after the heavy rain of postponements and whispers of a morning show not happening. The movie ‘Martin’ starring Dhruva Sarja in two roles is directed by AP Arjun. Let us now turn towards the introduction of the film. But is it worth all the hype? Let’s take the plunge.
The Plot:
The film opens with some excitement, set in Pakistan as a man wearing a ‘bad boy’ jacket is seen dramatically falling down. In no time, the focus changes to a hospital, where an Indian man afflicted with anterograde amnesia is presented. Being called a beast who has the strength of ten elephants, the man embarks on what seems to be an energy sapping circular journey to satisfy the question, who am I.
In the end, we learn that the protagonist, Arjun, is in Pakistan looking for “Martin”, and that story is centered on the confrontational scenes with Arjun and his other self, both played by Dhruva Sarja. The idea of a just navy officer and a rough and angry gangster trying to portray a single Polics officer enables the movie to succeed on all fronts. Sounds engrossing as it may seem, the screen play disappoints as it mostly adopts the common commercial action drama along with the absurd plot.
Technical Aspects:
Satya Hegde’s cinematography is outstanding, though; sweeping visuals really add to the monumental grandiosity of the film. Graphics, however, are overused and often poorly rendered, killing the cinematic viewing experience. Ravi Basrur’s background score is largely inspired by the KGF template, giving the film an avoidably familiar tone. The Giorgia Andrani-laded item number seems more of an added shock value instead of engaging the plot.
The Verdict:
“Martin” is a mixed bag. With its promise of visual grandeur, it delivers some engaging moments, especially in the cinematography and Dhruva Sarja’s dual performance. However, these are overplayed with exaggerated action sequences, over-the-top storytelling, and weak character arcs, transforming a loud spectacle into one that has much more of an echo than any emotional depth. It may excite hardcore Dhruva Sarja fans and the high-octane action enthusiasts but is sorely lacking in substance.
Final Thoughts:
For a bigger-than-life, action-packaged visual extravaganza, Martin could prove to be worth the watch. For those looking for a developed narrative and well-crafted character development, however, this one falls short. So, to each their own—have at it, folks! Hop on down to the theatres and have the experience for yourself!